Yuval Taylor
Yuval Taylor is the coauthor of Darkest America: Black Minstrelsy from Slavery to Hip-Hop and Faking It: The Quest for Authenticity in Popular Music. His writing has appeared in the Guardian, the Antioch Review, the Oxford American, and other publications. He lives in Chicago.
Yuval Taylor
Yuval Taylor is the coauthor of Darkest America: Black Minstrelsy from Slavery to Hip-Hop and Faking It: The Quest for Authenticity in Popular Music. His writing has appeared in the Guardian, the Antioch Review, the Oxford American, and other publications. He lives in Chicago.
Awards
Shortlisted — Los Angeles Times Book Prize, 2019
Books by Yuval Taylor
Darkest America: Black Minstrelsy from Slavery to Hip-Hop
Yuval Taylor, Jake Austen, Mel Watkins
Hardback, 2012
An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years.Zora and Langston: A Story of Friendship and Betrayal
Yuval Taylor
Hardback, 2019
Hurston and Hughes, two giants of the Harlem Renaissance and American literature, were best friends—until they weren’t.Zora and Langston: A Story of Friendship and Betrayal
Yuval Taylor
Paperback, 2020
Zora Neale Hurston and Langston Hughes, two giants of the Harlem Renaissance, were best friends—until they weren’t.Darkest America: Black Minstrelsy from Slavery to Hip-Hop
Yuval Taylor, Jake Austen, Mel Watkins
E Book, 2012
An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years.Zora and Langston: A Story of Friendship and Betrayal
Yuval Taylor
E Book, 2019
Zora Neale Hurston and Langston Hughes, two giants of the Harlem Renaissance, were best friends—until they weren’t.Faking It: The Quest for Authenticity in Popular Music
Hugh Barker, Yuval Taylor
Hardback, 2007
Musicians strive to “keep it real”; listeners condemn “fakes”; ... but does great music really need to be authentic?Faking It: The Quest for Authenticity in Popular Music
Hugh Barker, Yuval Taylor
E Book, 2012
Musicians strive to “keep it real”; listeners condemn “fakes”; ... but does great music really need to be authentic?